Tuesday, February 24, 2009
Questions for Agents
Have you ever wondered what you would say if you got the call to be represented? Or maybe after your excitement died down if you, in fact, said the right thing? Do you have some questions written down for that big moment so you won’t be flustered?
Here are a few gems I’ve come across. Some you should know before you send in your manuscript.
Who are some of your authors?
How many clients do you represent?
Are you a member of the AAR?
What publishers have you worked with?
What is your vision for my book?
Will you work with me on revisions, if necessary?
Do you keep your clients informed about correspondence with editors? Rejections?
What is your commission rate for U.S. sales? Foreign sales? Film rights? Audio rights?
What expectations do you have for your clients?
Do you have an agent-author contract?
Of course you don’t want to inundate them with all these questions at once. Find out a little bit about their personality and if they would fit with you best. It’s like marriage. Hopefully you’ll be together for a long time.
How to Get a Literary Agent by Michael Larsen –this book is fantastic, check it out for more details.
Sunday, February 15, 2009
ALA award winner calls
Okay, I have no idea how to make this look like a video? I tried to add it, but it won't let me.
http://alfocus.ala.org/videos/2009-youth-media-awards-winner-calls
Saturday, February 14, 2009
Happy Valentine's Day
I got home from my critique group this morning and he had printed me out a card with a poem he had written in it. It was very sweet and touched me more than any other present could have. So I guess he's a keeper. :)
Hope you all got exactly what you wanted from your Valentine.
Sunday, February 8, 2009
Darcy Pattison's PB retreat
It was extremely challenging, but it made me aware that each little word counts.
Lots of great info. I came home with great feedback and lots of new friends. If you get a chance to take it, I highly recommend this workshop.
Saturday, January 24, 2009
Book Reviews
My name is Chloe Saunders and my life will never be the same again. All I wanted was to make friends, meet boys, and keep on being ordinary. I don't even know what that means anymore. It all started on the day that I saw my first ghost--and the ghost saw me.
Now there are ghosts everywhere and they won't leave me alone. To top it all off, I somehow got myself locked up in Lyle House, a "special home" for troubled teens. Yet the home isn't what it seems. Don't tell anyone, but I think there might be more to my housemates than meets the eye. The question is, whose side are they on? It's up to me to figure out the dangerous secrets behind Lyle House...before its skeletons come back to haunt me. (front jacket flap) 2008
I am intrigued by ghost stories and this one didn't disappoint. There is plenty of tension throughout that keeps you turning pages. You really end up caring for these characters. I did feel a little cheated by the ending, but you can go on Ms. Armstrong's blog and read the first few chapters of the sequel, The Awakening, which comes out May 2009.
As children, Jennifer Harris and Cameron Quick were both social outcasts. They were also each other's only friend. So when Cameron disappeared without warning, Jennifer thought she'd lost the one person who would ever understand her. Now in high school, Jennifer has been transformed. Known as Jenna, she is popular, happy, and dating---everything "Jennifer" couldn't be. But she still can't shake the memory of her long-lost friend.Thursday, January 22, 2009
Turning Up the Tension
The first thing agents and editors say they look for on your beginning page is something that keeps them reading. Is it voice, characterization? Maybe. But more than likely that something is tension and conflict. Most readers want the book to begin with signs of trouble then watch how the main character struggles throughout the rest of your story.
These are some ways you can turn up the tension in your writing.
· Start first scene with trouble
· Avoid using flashbacks in beginning
· Use foreshadowing to heighten tension throughout
· Add cliffhangers at end of chapters
· Use short, punchy sentences
· Draw on emotions of all characters
· Let MC have flaws/Antagonist have good qualities
· Use dialogue to allow forward motion of story (don’t allow MC to be alone too often)
· Give MC a secret
· Use setting details to establish mood and tone
· Betray your MC and use suspicion and fear
· When MC is hurting, make it worse (kick them while they’re down)
· Build tension gradually for climax
Increasing your tension keeps your readers happy. Whether they want to scream, slap, or kiss your characters, you’ll be grateful you put the extra effort into it when they’re coming back for more.
Keep writing and learning!
Saturday, January 17, 2009
Bird Lake Moon
Spencer thought the house might be haunted.
Mitch knew it wasn't. And he knew why.
The whole time Spencer and Mitch hung out together at Bird Lake that summer, there were secrets keeping them apart.
And maybe a secret knowledge keeping them together, too---together like members of the same tribe. Like friends.
(front flap copy from Amazon)
This is a quiet book. It's about divorce, loss and the things these kids do in order to move on. I enjoyed reading it, but I didn't see why it was in the YA section (maybe it wasn't suppose to be?). I always love the way Kevin Henkes handles these big subjects for kids.
*******
I give it a 7 out of 10 stars.

